Ten abstract expressionists who revolutionized art during the 1940s and 1950s and moved the
U.S. to the forefront of the international art scene for the first time. Abstract expressionism refers to a large body of work that
comprised radically different styles, from still, luminescent fields of
color to vigorous, almost violent, slashes of paint.
Your $4.44 cents include:
The Golden Wall (1961) – Hans HofmannRomanesque Façade (1949) – Adolph Gottlieb
Orange and Yellow (1956) – Mark Rothko (above)
The Liver Is the Cock’s Comb (1944) – Arshile Gorky
1948-C (1948) – Clyfford Still
Asheville (1948) – Willem de Kooning
Achilles (1952) – Barnett Newman
Convergence (1952) – Jackson Pollock
Elegy to the Spanish Republic No. 34 (1953-1954) – Robert Motherwell
La Grande Vallée 0 (1983) – Joan Mitchell
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